Triple Threat (Lois Lane #3) By: Gwenda Bond
For the first time, Lois Lane has almost everything she wants. Non-temporary home? Check. Dream job? Double check. Incredible BFFs? The absolute best. And now, her online crush, SmallvilleGuy, is coming to Metropolis. If all goes well, they’ll turn their long-distance friendship into a some-kind-of-fairy-tale romance. But when does all ever go well? Before she can check boyfriend off her list, Lois must take down a mad scientist plus a trio of mutant teens, protect the elusive flying man from the feds (including her dad), and navigate her very first date with SmallvilleGuy. In the follow-up to FALLOUT and DOUBLE DOWN, Gwenda Bond’s reimagination of DC Comics’s first leading lady takes on her toughest challenge yet: Love.
One of the things I love most about this series is the lack of teenage angst and drama. It’s not a complete lack, but it’s not enough to be annoying, just believable. Sadly, “Triple Threat” changed all that and there was a definite increase in the angst and drama. It wasn’t a ton, but it was enough to affect how much I enjoyed the story.
Lois spent a lot of time worrying that she was keeping too many secrets, but then didn’t really stop until forced too. She also spent a lot of time reacting emotionally to the fact that she finally gets to meet her online boyfriend. That was mostly alright, though. We also got to meet TheInventor, who was not who I thought he was going to be, but as soon as he was revealed I mentally kicked myself.
The story itself was the weakest of the series so far. It felt rushed at the end and I’m not sure if Lois’s story would have been accepted by a paper with the reputation of The Planet, but then I recently watched Newsroom and I could just be projecting their high ideals.
Things were quickly resolved, but there were still questions, and it left me feeling like I’d skipped pages, only I hadn’t.
Overall, the series is excellent. I would love books like this set with these characters only as adults. For now I will keep reading their teenage versions, especially if Gwenda Bond keeps writing them.